While many of the Rock Critics called 'Humble Pie' a minor league version of 'The Rolling Stones', this song was a favorite This gritty song helped Humble Pie become the early leaders in the gritty 'Boogie Movement'. Paul from Wilton, Ct'30 Days In The Hole'īecame a poplar FM hit.This song is a great reference from drummers in how to sound cool. And all of it sounds great!ġst verse: 16th notes on the hi-hat, standard boom-chick rock beat between bass and snareĢnd verse: swung 8th notes on the shaker, with a jungle type beat on the toms, and cymbal splashesģrd verse: quarter notes on the hi-hat and a boom-boom-chick rock beat on the bass and snare John from Cleveland, OhioThe cool thing about this song is that the rhythm is done differently in each of the three versus.Kenny from NjI've read that the lyric, seeds and dust that you got bust on is actually seeds and dust and you got Borstal, which was a prison in England.Nooch from UsaNewcastle Brown is a form of heroin slang based on the ale, SMH.TRAPEZE- Deep Purple- Black Sabbath- Black Country Jerry from Seattle The Dead Daisies new album Holy Ground has a great cover on it with Glenn Hughes on board now from.Ray In Chitown from ChicagoI saw them do this live at the Arie Crown Theater in Chicago in 71 or 72.Just guessing but I bet Chicago Green is home grown pot.Red Lebanese and black Napalese were hash and New Castle brown was heroin.Hippy John from PaI knew what this song was about when I was too young to know simply by the lyrics,man.Nhemp from NycAre you the Hippy Johnny from "I'm Straight" by the Modern Lovers?.Ez-rocker from GermanyHey, does anyone know what key harmonica is used on this song? Better yet, does anyone actually have the harmonica tab for the song? I’m wanting to learn the harmonica part.Letter I is the chorus on repeat, in which Ridley makes a variation every other time on the A chord, the song then fades out. You can clearly hear him messing up at 62, going to the pre-chorus D-chord while still on the verse but he manages to turn it into one song's coolest fills. Loads of energy and plenty of great fills. Letter H is the final verse and Ridley is back in full gear. Letter F is short chorus, instantly leading into the bridge at letter G. Ridley never seems to be far from the 12th fret and always has fast and easy access to the upper register of his bass. Measures 34, 38, 42 and 46 each feature their own approach. Similar to the first, but featuring even more cool Ridley fills. Note the syncopated sixteenths at the end of each measure, they're a big part of the line that's easy to miss.Ī slide from the D-string's 14th fret E leads us into the second verse at letter E. Letter D is the chorus, a simple two chord progression where Ridley settles into a simpler yet still very groovy line. Ridley plays an embellished variation of the guitar part, regularily spiced up with fills, culminating in measure 22's killer fill leading into the first chorus. The main riff with just drums and guitar doubles as both the intro and verse and Ridley doesn't enter until measure 14 in which he plays a fill that returns several times throughout the song. Starting off with an accapella rendition of the song's chorus, the song begins proper around the 30 second mark.
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